Open Access
Subscription Access
Open Access
Subscription Access
Antifeminism in Bernard Shaw’s Heartbreak House
Subscribe/Renew Journal
Bernard Shaw’s Heartbreak House has been studied as a dream play (Morgan), an overcrowded play (Grene), a very reactionary play (Crompton), a play about drunken skipper (Ward), a play of war (Bryden), and a play of anti-Shavian satire (Hark). But little attention has been paid to antifeminism that the play reflects. Before undertaking a study of the play, it will be worthwhile to study the concept of antifeminism.
User
Subscription
Login to verify subscription
Font Size
Information
Abstract Views: 225
PDF Views: 1