![Open Access](https://i-scholar.in/lib/pkp/templates/images/icons/fulltextgreen.png)
![Restricted Access](https://i-scholar.in/lib/pkp/templates/images/icons/fulltextred.png)
![Open Access](https://i-scholar.in/lib/pkp/templates/images/icons/fulltextgreen.png)
![Open Access](https://i-scholar.in/lib/pkp/templates/images/icons/fulltext_open_medium.gif)
![Restricted Access](https://i-scholar.in/lib/pkp/templates/images/icons/fulltextred.png)
![Restricted Access](https://i-scholar.in/lib/pkp/templates/images/icons/fulltext_restricted_medium.gif)
Socio-Cultural Matrix in George Orwell’s Nineteen Eighty Four
Subscribe/Renew Journal
The twenty-first century literary criticism has veered to establish the relevance of the socio-cultural matrix of a work of art and the author’s role in negotiating with it. This climate is congenial to assess a complex work like George Orwell’s Nineteen Eighty Four or Huxley’s Brave New World.
User
Subscription
Login to verify subscription
Font Size
Information
![](https://i-scholar.in/public/site/images/abstractview.png)
Abstract Views: 202
![](https://i-scholar.in/public/site/images/pdfview.png)
PDF Views: 1