Open Access Open Access  Restricted Access Subscription Access
Open Access Open Access Open Access  Restricted Access Restricted Access Subscription Access

Ezekiel's New Perspective for Women


Affiliations
1 Department of English, J.V. College, Baraut, Bagpat (U.P.), India
2 Department of Humanities Dept., Pratap Institute of Technology & Science, Akhaipura, Palsana, Distt-Sikar, Rajastan, India
     

   Subscribe/Renew Journal


The women have been a focal subject in world literature from the earliest fumbling literary efforts of men, and have also been long conventionally accepted as an ideal homemaker as a dutiful wife, a loving mother and a caring daughter who keeps her birth in her parents' house and it is believed that her corpse would go from her 'Sasural' (in law's house). Indian literature has been quite generous in giving esteemed place to women. The world's two greatest epics The Ramayana and The Mahabharata written by Rishi Valmiki and Rishi Ved Vyas, respectively, revolved around women being the central characters in the forms of Sita and Draupadi.It is equally true of India where the ancient religions, spiritual Vedic treatises and the Upnishadas abound in references extolling her role and status in the society that the gods live there where women are worshipped. 1It is an ultimate admiration of women heard everywhere in the world.But in actual sense we worship the lady who as a child, lives:

Keywords

Sasural, Body, Other, Sex Object, Feminist Discourse, Environment, Wedding Prostitute, Women, Mother, God, Manusmiriti.
User
Subscription Login to verify subscription
Notifications
Font Size

  • Chopra, Shalini, Qtd.from The Manusmriti in Resistance to Stereotypes in Hybridity and Difference: The Poetics of Nissim Ezekiel, 2011.
  • Sharma, T.R., ed. Essays on Nissim Ezekiel, Meerut: Shalabh Prakashan, 1995.
  • Ghadially, Rehana, Women in Indian Society: A Reader, Delhi: Sage Publication, 1988.
  • Beauvoir, Simone de, The Second Sex (1949) Trans.H. M. Parishley, London: Vintage, 1997.
  • Ferguson, Mary Anne, Images of Women in Literature, Boston: Houghton Mifflin Company, 1973.
  • Preet,Simran, Framing the Feminine in Media: A Sight Unseen, Portrayal of Women in Media and Literature, edited by Arvind M. Nawale, Shivani Vashist and Pinaki Roy, Shahdara: Access, 2013.
  • Journal of South Asian Literature, Asian Studies Centre, Michigan State University, Vol.XI, Spring-Summer, 1976, p. 72.
  • Balakrishnan,B. N., The Living Past in the Poetry of Nissim Ezekiel, Chapter 11, Shodhganga : a reservoir of Indian theses, maintained by INFLIBNET Centre, Ahmadabad , Gujarat University.
  • Srinivasa Iyengar, K. R.
  • Lall, Emmanuel Narendra,The Poetry of Encounter: Three Indo-Anglian Poets, New Delhi: Sterling Publishers, 1983.
  • Jayal, Shakambari,The Status of Women in the Epics, Delhi: Motilal Banarsidass, 1966.
  • Blackwell, Fritz, “Misogyny and Philogyny: The Bifurcation and Ambivalence of the Stereotypes of the Courtesan and the Mother in Literary Tradition”, JSAL, 12, 30-4 (Spring/Summer 1977).
  • Nandy, Pritish, ed. Indian Poetry in English 1947-1972, Calcutta: Oxford and IBH, 1972.
  • Nissim Ezekiel-Poems, Poem Hunter.com-The World's Poetry Archive, 2012.
  • Ezekiel, Nissim, Collected Poems 1952-1988, Delhi: Oxford University Press, 1989.
  • Journal of South Asian Literature, Asian Studies Centre, Michigan State Univ.
  • Vol-XI Spring-Summer, 1976.
  • The Double Horror - Journal of South Asian Literature, Asian Study Centre, Michigan State Univ. Vol. XI, Spring-Summer - 1976.
  • Betty, Yorburg, Sexual Identity, New York: John Wiley and Sons 1974.
  • Ezekiel, Nissim, Collected Poems, 2nd ed., New Delhi, OUP, 2006.
  • Ezekiel, Nissim, Collected Poems 1952-1988, Delhi: Oxford University Press, 1989,p.14.
  • Leela Gandhi and Thieme John, eds., Nissim Ezekiel Collected Poems, New Delhi: Oxford University Press, 2005.
  • Leela Gandhi and Thieme John, eds., Nissim Ezekiel Collected Poems, New Delhi, Oxford University Press, 2005.
  • Journal of South Asian Literature, Asian Studies Centre, Michigan State Univ.
  • Vol-XI Spring-Summer, 1976.
  • Ezekiel, Nissim, Collected Poems, 2nd edition, New Delhi, OUP, 2013.-.Selected Prose, New Delhi, OUP, 1992.
  • Journal of South Asian Literature, Asian Studies Centre, Michigan State University, Vol.XI, Spring-Summer 1976.
  • Raghu, A. Qtd. in The Poetry of Nissim Ezekiel, New Delhi: Atlantic Publishers and Distributors, 2002.
  • Lall, Emmanuel N, The Poetry of Encounter, Delhi: Sterling Publishers Pvt.Ltd, 1963.
  • Edgington, Norman Ross, Nissim Ezekiel's Vision of Life and Death, Journal of South Asian Literature 22.2., 1987.

Abstract Views: 529

PDF Views: 0




  • Ezekiel's New Perspective for Women

Abstract Views: 529  |  PDF Views: 0

Authors

Ram Sharma
Department of English, J.V. College, Baraut, Bagpat (U.P.), India
Anshu Sharma
Department of Humanities Dept., Pratap Institute of Technology & Science, Akhaipura, Palsana, Distt-Sikar, Rajastan, India

Abstract


The women have been a focal subject in world literature from the earliest fumbling literary efforts of men, and have also been long conventionally accepted as an ideal homemaker as a dutiful wife, a loving mother and a caring daughter who keeps her birth in her parents' house and it is believed that her corpse would go from her 'Sasural' (in law's house). Indian literature has been quite generous in giving esteemed place to women. The world's two greatest epics The Ramayana and The Mahabharata written by Rishi Valmiki and Rishi Ved Vyas, respectively, revolved around women being the central characters in the forms of Sita and Draupadi.It is equally true of India where the ancient religions, spiritual Vedic treatises and the Upnishadas abound in references extolling her role and status in the society that the gods live there where women are worshipped. 1It is an ultimate admiration of women heard everywhere in the world.But in actual sense we worship the lady who as a child, lives:

Keywords


Sasural, Body, Other, Sex Object, Feminist Discourse, Environment, Wedding Prostitute, Women, Mother, God, Manusmiriti.

References