![Open Access](https://i-scholar.in/lib/pkp/templates/images/icons/fulltextgreen.png)
![Restricted Access](https://i-scholar.in/lib/pkp/templates/images/icons/fulltextred.png)
![Open Access](https://i-scholar.in/lib/pkp/templates/images/icons/fulltextgreen.png)
![Open Access](https://i-scholar.in/lib/pkp/templates/images/icons/fulltext_open_medium.gif)
![Restricted Access](https://i-scholar.in/lib/pkp/templates/images/icons/fulltextred.png)
![Restricted Access](https://i-scholar.in/lib/pkp/templates/images/icons/fulltext_restricted_medium.gif)
Marvels of the East:Orientalism in 19th and 20th Century Art
Subscribe/Renew Journal
In his magnum opus titled Orientalism, Edward Said laid forth the concept of the Orient being 'almost a European invention' and a 'place of romance, exotic beings, haunting memories and landscapes, remarkable experiences' (E. W. Said, Orientalism). Orientalism, in simpler words, is looked upon as a patronizing attitude the West adopts towards the Orient and based on a characterizing distinction between the Orient and Occident.
Subscription
Login to verify subscription
User
Font Size
Information
![](https://i-scholar.in/public/site/images/abstractview.png)
Abstract Views: 408
![](https://i-scholar.in/public/site/images/pdfview.png)
PDF Views: 0