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Multiculturalism:A Critical Study of Chinua Achebe's Selected Novels


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1 Gauhati University, Assam, India
     

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Reclaiming for one’s ischolar_main doesn’t state that one has no ischolar_main. As long as one has ischolar_mains intact, one survives; and if one is upischolar_mained or one’s ischolar_mains are undiscovered, one dies. But they try their best to grow new ischolar_mains amidst adverse circumstances to face reality. Cut off from cultural ischolar_mains, they adopt a quest for self. In the contemporary literary criticism, ischolar_mains and multiculturalism are the topics, dealt in by many novelists of repute in postcolonial literature. It can be observed that nowadays people are not only conscious of their own culture and tradition but claim superiority of their own over other’s culture. The present paper thus aims to present the cultural ambivalence that Chinua Achebe recorded in his novels Things Fall Apart and No Longer At Ease. When the Europeans came to colonize Africa, they bring with them their own culture. Achebe, in these two novels portrays the plight of the Nigerian people they face due to the mixing of the two different cultures. He draws both the pre colonial and colonial period with their both negative and positive sides. His No Longer at Ease is on corruption, which Achebe believes is brought by the Europeans to Africa. And his Things Fall Apart criticizes Joseph Conrad's Heart of Darkness where Conrad documented that civilization of Africa took place during the time of colonial period. Achebe’s protagonists were able to retain a sense of their pre-colonial glory, history considerably, however affected the culture and heritage in the ancient aroma. But in Africa, the ‘falcon could not hear the falconer and the center could not hold’ and eventually things did fall apart. Hence, the paper is also an attempt to examine the misrecognition of the Nigerian Culture by the dominating Europeans.

Keywords

Cultural Ambivalence, Multiculturalism, Identity, Misrecognition, Postcolonial Literature.
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  •  Achebe, C. (1958). Things Fall Apart. Ibadan. Heinemann Educational Books Ltd, 1, 138-148
  •  Achebe, C. (1960). No Longer at Ease. London. Heinemann Educational Books Ltd, 1, 3-100
  •  Losambe, L. (2005). Borderline Movements in African Fiction. Africa Research and Publications, 1, 1-106

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  • Multiculturalism:A Critical Study of Chinua Achebe's Selected Novels

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Authors

Trishna Devi
Gauhati University, Assam, India

Abstract


Reclaiming for one’s ischolar_main doesn’t state that one has no ischolar_main. As long as one has ischolar_mains intact, one survives; and if one is upischolar_mained or one’s ischolar_mains are undiscovered, one dies. But they try their best to grow new ischolar_mains amidst adverse circumstances to face reality. Cut off from cultural ischolar_mains, they adopt a quest for self. In the contemporary literary criticism, ischolar_mains and multiculturalism are the topics, dealt in by many novelists of repute in postcolonial literature. It can be observed that nowadays people are not only conscious of their own culture and tradition but claim superiority of their own over other’s culture. The present paper thus aims to present the cultural ambivalence that Chinua Achebe recorded in his novels Things Fall Apart and No Longer At Ease. When the Europeans came to colonize Africa, they bring with them their own culture. Achebe, in these two novels portrays the plight of the Nigerian people they face due to the mixing of the two different cultures. He draws both the pre colonial and colonial period with their both negative and positive sides. His No Longer at Ease is on corruption, which Achebe believes is brought by the Europeans to Africa. And his Things Fall Apart criticizes Joseph Conrad's Heart of Darkness where Conrad documented that civilization of Africa took place during the time of colonial period. Achebe’s protagonists were able to retain a sense of their pre-colonial glory, history considerably, however affected the culture and heritage in the ancient aroma. But in Africa, the ‘falcon could not hear the falconer and the center could not hold’ and eventually things did fall apart. Hence, the paper is also an attempt to examine the misrecognition of the Nigerian Culture by the dominating Europeans.

Keywords


Cultural Ambivalence, Multiculturalism, Identity, Misrecognition, Postcolonial Literature.

References