Research Journal of Humanities and Social Sciences

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The Adjective Comparison of West Imagination Works and Persian Painting


Affiliations
1 Member of the Scientific Research Archaeology. Cultural Heritage, Handicraft and Tourism Organization of Iran, Iran, Islamic Republic of
     

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Principles before new thoughts and modernism artists view was between quality of seeing and insight (objective an subjective) are rules and principles that are executed in west imagination arts and in Persian painting with differences and commons thus for achieving to these points it is necessary to understand beauty recognition bases of both artistic methods via survey and adjust with each other and these principles are divided into two main sections
a) Philosophy and belief bases
b) Technical bases

Keywords

Persian Painting, West Imagination Works, Form and Space, Deep Appearing/Dipnoan, Appearing
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  • Ayatollahi, Habib. Toob shadow.2000.Tehran.Art.Librery and Museum Art.p.89

  • Issaghpour. Yousef, Iranian painting 2004, Tehran, Publications of ministry of culture and Islamic guidance.p.57

  • Korkian, A.M. Siker. Sh. P imagination gardens.1999.Tehran.Publications of Farzan Rooz.p.102

  • Madad Pour. Mohammad, Spiritual thought and art mystery.1992. Tehran publications of art field of Islamic Advertising Organization.p.152


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  • The Adjective Comparison of West Imagination Works and Persian Painting

Abstract Views: 1148  |  PDF Views: 0

Authors

Mehrdad Ahmad Amiraghai
Member of the Scientific Research Archaeology. Cultural Heritage, Handicraft and Tourism Organization of Iran, Iran, Islamic Republic of

Abstract


Principles before new thoughts and modernism artists view was between quality of seeing and insight (objective an subjective) are rules and principles that are executed in west imagination arts and in Persian painting with differences and commons thus for achieving to these points it is necessary to understand beauty recognition bases of both artistic methods via survey and adjust with each other and these principles are divided into two main sections
a) Philosophy and belief bases
b) Technical bases

Keywords


Persian Painting, West Imagination Works, Form and Space, Deep Appearing/Dipnoan, Appearing

References