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Social Media and Documentary Cinema: The Arab Spring, the Wall Street Movement, Challenges and Implications for Documentary Filmmakers


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1 Hermelijnstraat 14, 1417BT Breda, Netherlands
     

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Used by millions on a daily basis Web 2 and social media have become part of our lives; Facebook arguably developed into the largest online group worldwide with some 800 million users - or one seventh of the world's population. (Facebook, 2011) This paper reviews social media and provides a general overview of the same from the perspective of an independent documentary filmmaker. The paper investigates use of social media during the Arab Spring and Wall Street Movement (Occupy, 2011) and compares social- with traditional media. Using the example of the documentary 'God, Church, Pills&Condoms' (F Kohle, A Cuevas, 2011) the tools social media offers are examined and their applications are discussed. Web 2 is the accumulative sum of print, radio, TV and film, offering an ever-increasing amount of content. What are the implications and challenges for Documentary filmmakers? How can documentary filmmakers explore the full potential of social media? Does social media really offer an alternative to traditional content commissioning, content development and distribution as well as fund raising? The paper concludes by examining future trends for social media and potential applications in documentary filmmaking.

Keywords

Arab Spring, Social Media, Facebook, Documentary Cinema
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  • Social Media and Documentary Cinema: The Arab Spring, the Wall Street Movement, Challenges and Implications for Documentary Filmmakers

Abstract Views: 353  |  PDF Views: 0

Authors

Fritz Kohle
Hermelijnstraat 14, 1417BT Breda, Netherlands

Abstract


Used by millions on a daily basis Web 2 and social media have become part of our lives; Facebook arguably developed into the largest online group worldwide with some 800 million users - or one seventh of the world's population. (Facebook, 2011) This paper reviews social media and provides a general overview of the same from the perspective of an independent documentary filmmaker. The paper investigates use of social media during the Arab Spring and Wall Street Movement (Occupy, 2011) and compares social- with traditional media. Using the example of the documentary 'God, Church, Pills&Condoms' (F Kohle, A Cuevas, 2011) the tools social media offers are examined and their applications are discussed. Web 2 is the accumulative sum of print, radio, TV and film, offering an ever-increasing amount of content. What are the implications and challenges for Documentary filmmakers? How can documentary filmmakers explore the full potential of social media? Does social media really offer an alternative to traditional content commissioning, content development and distribution as well as fund raising? The paper concludes by examining future trends for social media and potential applications in documentary filmmaking.

Keywords


Arab Spring, Social Media, Facebook, Documentary Cinema



DOI: https://doi.org/10.15655/mw%2F2014%2Fv5i2%2F53678