Open Access Open Access  Restricted Access Subscription Access
Open Access Open Access Open Access  Restricted Access Restricted Access Subscription Access

Multisensory Marketing - Building Sustainability Perspective in Diverse Sectors


Affiliations
1 University of Hyderabad, Hyderabad, Andhra Pradesh, India
     

   Subscribe/Renew Journal


Synchronic studies in marketing propose that sensory stimulus, like colour, lighting effects, backdrop music, ambient scents, or upholstery's texture affect consumers' evaluation of the milieu, the wares presented, and affect consumer behaviour (e.g., approximate amount spent, time spent at a store). A customer is frequently attracted towards a brand based on his sensory experience. In toto, the unexpurgated world is experienced through multiple senses (Lindstrom & Kotler, 2005). Ingenious brands are discovering means to captivate the entire consumer senses to fortify their brand experience, by amalgamating every sense into the marketing strategy; this approach is called Sensory Marketing. Sensory branding is based on the idea that we are most likely to form, retain, and revisit memory when all five senses are engaged. Many companies are discovering that when they engage consumers with multiple sensory touch points-not just the traditional sensory channels of sight or hearing - they can enhance customers' emotional connection with their products and brands. The multisensory strategies seek to go beyond delivering functionality and value to evoking significant personal identification with products. It aims to fill in the lacuna of the conventional marketing. Technology is one of the main factors driving sensory marketing to success. Sensory Marketing has made its mark in multiple fields like Automobiles, Airlines, Hospitality, Casinos, Retail stores, Textile, Leather production, Skincare and Cosmetics at multiple levels.

The following are a few examples for multisensory applications: 74% of Europeans and 46% of American recognise the Nokia ringtone (Lindstrom, 2005); Ford has a specific branded aroma since 2000; 27% of US consumers and 37% of Europeans consider ford has a distinct smell. (Lindstrom, 2005); United Airlines has adapted a famous composition, George Gershwin‘s Rhapsody in Blue, and personalised it; Restaurants play slower music as it creates extended dining hours, increasing 29% of average bill according to an experiment; Heinz launched EZ Squirt Blastin, Green Ketchup in 2001. They sold over 10 million bottles in the first 7 months. That is the highest sales peak in the history of Heinz, all because of a simple colour adjustment. This paper deals with use of sensory marketing in various sectors and its potential to develop as a sustainability strategy.


Keywords

Sensory Marketing, Technology, Multisensory Marketing, Experiential Marketing.
Subscription Login to verify subscription
User
Notifications
Font Size


  • Adrian, P., & Patrick, M. (2000). The role of electronic commerce in creating virtual tourism destination marketing organisations. International Journal of Contemporary Hospitality Management.
  • Alistair, W. (2006). Tourism and hospitality marketing: Fantasy, feeling and fun. International Journal of Contemporary Hospitality Management, 18(6).
  • Areni, C., & Kim, D. (1993). The influence of background music on shopping behavior, classical versus top-forty music in a wine store. Advances in Consumer Research, 20, 336-340. doi:10.1177/ 0013916503254749 Baird, S. (2009, March 26). Touchy trademarks. Retrieved from http://www.duetsblog.com/2009/03/articles/trademarks/touchy-trademarks/
  • Bell, S. (2006). Future sense: Defining brands through scent. Retrieved from http://www.wppindia.in/∼/media/SharedWPP/Marketing Insights/Reports and Studies/coley_futuresense.pdf
  • Bone, P. F., & Jantrania, S. (1992). Olfaction as a cue for product quality. Marketing Letters, 3(3), 289-296.
  • Bornstein, M. H. (1987). Perceptual categories in vision and audition. In S. Harnad (Ed.), Categorical Perception: The groundwork of cognition. Cambridge: Cambridge University Press.
  • Celier, P. (2004, April 2). Le marketing sensorial. Retrieved from http://cpa.enset-media.ac.ma/marketing_sensoriel.htm.Gobe, M. (2001). Emotional branding: the new paradigm for connecting brands to people. New York: Allworth Press.
  • Hairong, L., Terry, D., & Frank, B. (2002). Impact of advertising on product knowledge, brand attitude and purchase intention: the mediating role of presence. Journal of Advertising.
  • Heskett, J. L., Jones, T. O., Loveman, G. W., Sasser, W. E., & Schlesinger, L. A. (1994). Putting the service-profit chain to work. Harvard Business Review, 164-74.
  • Hulten, B., Niklas, B., & Marcus, V. D. (2009). Sensory marketing. New York: Palgrave Macmillan.
  • Jha, S. M., (2000). Services Marketing. Himalaya Publishing House. Joann, P., & Terry, L. C. (2003). Individual differences in haptic information processing: the need for touch' scale.
  • Journal of Consumer Research, 30.doi:10.1086/378619 Krishna, A., & Ryan, E. (2010). The effects of advertising copy on sensory thoughts and taste. Journal of Consumer Research, 36.doi:10.1086/605327.
  • Krishna, A. (2009). Sensory marketing: Research on the sensuality of products. Psychology Press.
  • Kotler, P. (2006). Marketing management millennium edition. (10th ed.). Prentice-Hall, Inc.
  • Lowery, T. M. (Ed.). Brick & mortar shopping in the 21st Century (Advertising and consumer psychology) Mahwah: Lawrence Erlbaum.
  • Laura, O. (2001, July). Some notes on semiotics and sensory marketing. Retrieved from http://www.marketingsemiotics.com/pdf/semiotics.pdf
  • Laurie A. B., & Alvin C. B. (1997). Effects of print ad pictures and copy containing instructions to imagine on mental imagery that mediates attitudes. Journal of Advertising, 26(3), 33-44.
  • Lindstrom, M. (2005). Broad sensory branding. Journal of Product & Brand Management, 14(2), 84-87.
  • Lindstrom, M. (2005). Sensory branding: It makes (five) senses, brand child and brand sense. New York: Free Press.
  • Milliman, R. (1986). The influence of ancienne music on the behavior of restaurant patrons. Journal of Consumer Research, 12, 286-289.
  • Nauth, K. (2007, November 18). The future of multisensory marketing. Retrieved from http://www.prweb.com/releases/2007/11/ prweb570225.htm
  • North, A. C., & Hargreaves, D. J. (1996). The effects of music on responses to a dining area. Journal of Environnemental Psychology, 16,55-64. doi:10.1006/ jevp.1996.0005 Multisensory Marketing AJTS, 8, 1 (2013) 55
  • Puccinelli, N., Goodstein, R., Grewal, D., Price, R., Rughubir, P., & Stewart, D. (2009). Customer experience management in retailing: Understanding the buying process. Journal of Retailing, 85(1), 15-30.
  • Rieunier, S. (2002). Le marketing sensoriel du point de vente. Rechercheet Applications en Marketing, 17(4).
  • Rieunier, S. (2009). Le marketing sensoriel du point de vente: Creeretgererl'ambiancedes lieuxcommerciaux. Paris: Dunod.
  • Roballey, T. C. (1985). The effect of music on eating behavior. Bulletin of the Psychonomic Society, 23, 221-222.
  • Schmitt Bernd, H., & Simonson, A. (1997). Marketing aesthetics: The strategic management of brands, identity, and image. New York: The Fress Press.
  • Smith, P., & Curnow, R. (1966). Arousal hypothesis and the effects of music on purchasing behaviour. Journal of Applied Psychology, 50, 255-286.
  • Stephens, J. (2007). How to put the sense of olfaction into marketing action. ABA Bank Marketing.
  • Stephens, J. (2007). Setting the tone. ABA Bank Marketing.
  • Tischler. L. (2005). Smells like brand spirit. Fast Company. 52-59.
  • Wanger, P. (2002). Kundpsykologi. Lund: Studentlitteratur AB. rerl'ambiancedes lieuxcommerciaux. Paris: Dunod.
  • Roballey, T. C. (1985). The effect of music on eating behavior. Bulletin of the Psychonomic Society, 23, 221-222.
  • Schmitt Bernd, H., & Simonson, A. (1997). Marketing aesthetics: The strategic management of brands, identity, and image. New York: The Fress Press.
  • Smith, P., & Curnow, R. (1966). Arousal hypothesis and the effects of music on purchasing behaviour. Journal of Applied Psychology, 50, 255-286.
  • Stephens, J. (2007). How to put the sense of olfaction into marketing action. ABA Bank Marketing.
  • Stephens, J. (2007). Setting the tone. ABA Bank Marketing.
  • Tischler. L. (2005). Smells like brand spirit. Fast Company. 52-59.
  • Wanger, P. (2002). Kundpsykologi. Lund: Studentlitteratur AB.

Abstract Views: 519

PDF Views: 2




  • Multisensory Marketing - Building Sustainability Perspective in Diverse Sectors

Abstract Views: 519  |  PDF Views: 2

Authors

Prarthana Kumar
University of Hyderabad, Hyderabad, Andhra Pradesh, India

Abstract


Synchronic studies in marketing propose that sensory stimulus, like colour, lighting effects, backdrop music, ambient scents, or upholstery's texture affect consumers' evaluation of the milieu, the wares presented, and affect consumer behaviour (e.g., approximate amount spent, time spent at a store). A customer is frequently attracted towards a brand based on his sensory experience. In toto, the unexpurgated world is experienced through multiple senses (Lindstrom & Kotler, 2005). Ingenious brands are discovering means to captivate the entire consumer senses to fortify their brand experience, by amalgamating every sense into the marketing strategy; this approach is called Sensory Marketing. Sensory branding is based on the idea that we are most likely to form, retain, and revisit memory when all five senses are engaged. Many companies are discovering that when they engage consumers with multiple sensory touch points-not just the traditional sensory channels of sight or hearing - they can enhance customers' emotional connection with their products and brands. The multisensory strategies seek to go beyond delivering functionality and value to evoking significant personal identification with products. It aims to fill in the lacuna of the conventional marketing. Technology is one of the main factors driving sensory marketing to success. Sensory Marketing has made its mark in multiple fields like Automobiles, Airlines, Hospitality, Casinos, Retail stores, Textile, Leather production, Skincare and Cosmetics at multiple levels.

The following are a few examples for multisensory applications: 74% of Europeans and 46% of American recognise the Nokia ringtone (Lindstrom, 2005); Ford has a specific branded aroma since 2000; 27% of US consumers and 37% of Europeans consider ford has a distinct smell. (Lindstrom, 2005); United Airlines has adapted a famous composition, George Gershwin‘s Rhapsody in Blue, and personalised it; Restaurants play slower music as it creates extended dining hours, increasing 29% of average bill according to an experiment; Heinz launched EZ Squirt Blastin, Green Ketchup in 2001. They sold over 10 million bottles in the first 7 months. That is the highest sales peak in the history of Heinz, all because of a simple colour adjustment. This paper deals with use of sensory marketing in various sectors and its potential to develop as a sustainability strategy.


Keywords


Sensory Marketing, Technology, Multisensory Marketing, Experiential Marketing.

References